It is the end of the penultimate semester and we have the first half of our Final Assessment so I have been burning the midnight oil finishing off my various projects and getting my sketchbook up-to-date.
Through both my dissertation and fine art practice work continues to explore the aesthetic aspects of decay, memory/remembering, nostalgia and melancholia. I am interested in exploring the ugly as compared to the beautiful using decay as the metaphor. I am endeavouring to explain my enquiry through the visualisation of the concept of perception and how this relates to memory and the emotions of nostalgia and melancholia.
I am considering the manner in which the eye converts visual information into memory, how the brain perceives this information and how this information is subsequently retrieved to form part of our emotional and aesthetic experience. My enquiry considers the modern science of neuro-physiology, neuro-aesthetics in the response to art and the aesthetic experience. The work employs a combination of video and still images arranged in multiple layers to create visual complexity challenging the perception of the viewer to recognise the familiar within the unfamiliar.
The following video is one of the 3 video works I have on display. The other 2 have to be viewed in-situ as they employ partly silvered mirror as the front element of the work, this makes videoing the work difficult.
Fragments of Memory
This video makes use of appropriated stills from Bill Morrison's film "Light is calling" and part of Michael Gordon's sound track. Morrison's film is based on "found footage" of decaying film. I have reworked the film incorporating into it my own images, mainly nostalgic family photographs. The video explores the notion of fragmented memory and the often confused narration associated with the effects of Alzheimers disease.
This work is for academic purposes only and recognises the original authors copyright no breach of which is intended.