Pages

Showing posts with label bbc. Show all posts
Showing posts with label bbc. Show all posts

Wednesday, January 03, 2018

Cilla the Biopic - A Rouetmaster Moment

October 2014 the BBC screened the biopic, Cilla. In one of the scenes, they showed Cilla meeting up with Ringo Starr in the el Cabala. They portrayed the El Kabala [sic - their incorrect spelling] coffee bar, as a greasy spoon cafe on the "Dock Road". To put the record straight I sent an email to the Sunday Times  "You Say" column in the Culture Magazine which was published on the 13th October 2014. The comment prompted a number of responses over the next few weeks.
Enjoying Cilla but irritated by a "Routemaster moment". The el Cabala coffee bar, spelled with a "C" not a "K", was not a greasy spoon as depicted but Liverpool's first high-class coffee bar at 96 Bold Street, the poshest shopping street in town. Next door was la Cabala and both were owned and run by 2 Hungarian brothers, the Kushners. The splendid Palladian frontage is still in situ. The place to linger over a Cafe Borgia and a Sobranie Black Russian cigarette in the late 50's early 60's.
I submitted the comment with supporting evidence a paper by Helen Taylor, "Liverpool 8 and 'Liverpool 8': The creation of social space in the Merseybeat movement" (link). She quotes from Rodger McGough's book Said and Done.
McGough’s ‘first cappuccino’, in ‘El Cabala, a glass fronted, airy cafĂ© on Bold Street’, is considered a significant moment, both because of its novelty and for what it represents of this lifestyle (McGough, Said and Done: the autobiography   (London: Random House, 2005, p. 142)
This reminder of an icon of my formative years got me going particularly as it appeared from initial investigations that many of the recollections from the collective memory were as bad as the BBC's research, confusion seemed to reign. Confusion with locations with similar names and recall of the geography were commonplace, a bit of research was called for.

The first thing you notice is how many different (incorrect) spellings of the name there are on the internet, some by those who should know better - the BBC. The correct spelling is el Cabala, with a small e and a capital C, not a K. The site of the el Cabala the was 96 Bold Street, now the home of "Next to Nowhere" a bookshop. The frontage is quite distinctive with two grand Palladian granite pillars and decor. Interestingly, to confuse memories further, there was also an el Cabala in Southport owned by the same family. The Bold Street place had a mezzanine floor. It was the first place to serve Espresso coffee and Cappuccino dusted with chocolate and cinnamon. My favourite drink was a Cafe Borgia, we would probably call it a Mocha today Milky chocolate, an expresso plus cinnamon and nutmeg sprinkle. Russian tea was also a favourite with many, black tea with lemon. Whatever you drank it was usually accompanied by an exotic fag, Sobranie Black Russian or Passing Cloud were my favourites but Gauloise, Lucky Strike, Camel and even Capstan Full Strength and if you were of a certain persuasion Sobranie Cocktail cigarettes were amongst the pollutants we puffed on our decadent visits to this establishment. I even graduated to a pipe at one point. As with all good academic research, I have corroborated my sources with a paper published by Helen Taylor, "Liverpool 8 and 'Liverpool 8': The creation of social space in the Merseybeat movement." Source: Exegesis (2013) 2, pp. 34-44


96 Bold Street





Sunday, November 22, 2009

Where is Modern Art Now? - Blackpool Art Fair!

This week has seen a veritable cornucopia of art programmes on TV. Art on Your Wall, BBC2 Mon; Where is Modern Art Now?, BBC4 Wed; Ugly Beauty, BBC2 Sat and on our own doorstep, The Blackpool Art Fair at the Grundy Art Gallery till January. It was after my visit to the Grundy that the question posed by the BBC2 programme, "Where is Modern Art Now", struck me. If I had thought the BBC programme clouded by obfuscation and pseudo-ism, it had not prepared me for the Blackpool Art Fair. We expect obfuscation and pseudo-ism from art experts such as Dr Augustus Casey-Hayford and Waldemar Januszcack but not from Stuart Tullock.

I arrived at the Grundy on Saturday morning as a privileged preview ticket holder, I had a piece in the exhibition. I was looking forward to an exhibition of the work of Blackpool's artistic best. My reaction, confused and rather disappointed. What did we have here. I walked in the first gallery space to find Blackpool Art Society exhibition sparsely spread over the relatively large wall area. But where was the open exhibition? In the large gallery maybe. No, this space was filled with a strange mishmash of installations based on Blackpool Model Train Society, Blackpool Model Boat Club, Cake Decorating, Knitting, Dog Decorating and a cutting edge avant-garde conceptual art installation by Supercollider (I will come back to that in a moment). Where the hell was the open exhibition? Ah, here they are stuffed into the two small side galleries!

Why? I had trouble finding my A1 size piece of work amongst the mishmash that confronted me. The hanging was 2 to 3 works high, titled with small postal labels typed in 12 point text. Just not good enough for a Gallery of the Grundy's stature. Half an hour later with a crick in my neck and rapidly deteriorating eye sight I still had not found two pieces of work I knew should be in there. As a contributing artist I feel affronted that my hard work should be crammed into a shoe box. Particularly when the rest of the gallery is given over to work which can hardly be considered suitable for an "Art Fair"! What was the rational behind extravagantly hanging the work of Blackpool Art Soc in a huge space at the expense of the Open exhibition?

Back to the beginning, had I missed the point? Was the "Blackpool Art Fair" really one big Post-Post-Modern conceptual nay, avant-garde "Modern" art installation? Was the analist art of the hobbyist (leisure) artist, the hobby sculptors (modellers) the conceptual "true" art (Supercollider Embassy) where modern art is now! Oh, and the work of those pretentious professional and unattached arty types will make up the numbers and help fill the rest of the space!

You have to question what sort of relationship the Grundy Art Gallery is trying to foster with the local art community and the public at large. Why have they chosen to place the polarised art of Blackpool Art Soc and Supercollider at the centre of miss titled "Art Fair". Is this an effort to be even handed? I don't think so, there has to be another agenda. Questions need to be answered! Maybe a clue to the answer lies in one of the handouts I picked up at the "Art Fair" (As I have no wish to embarrass the author)

------------------------------ ---------------------- committed to the dissemination of contemporary arts practice in the town by presenting a diverse and dynamic programme of temporary contemporary art projects. ----------------------------------------------------- is well positioned to provide the community with a forum for intellectual engagement, debate, participation and appreciation. ------------------------------------dedicated to delivering a programme of exhibitions and events which reflects the diverse and dynamic nature of contemporary arts practice, embracing artists at all stages of their careers working with a wide range of contemporary issues and concerns, ----------------------------------will also act as a point of exchange between the audience and contemporary arts practice, providing a dedicated forum for engagement. ---------------------------------- aims to develop reciprocal relationships with other institutions, groups and initiatives. --------------------------------------non-profit, artist led organisation, run by unpaid volunteers motivated by an intense passion for the arts and the cultural development and regeneration of Blackpool. Through the programme of exhibitions, projects and events ------------------------ aims to make an effective and meaningful contribution to the re-development and regeneration of culture of Blackpool.
Obfuscation or what? I clearly need to update my personal statement! Why was there was no reference to Post-Post-Modernism in the BBC2 programme "Where is Modern Art Now" is Blackpool ahead of the game?